Nelling, Inc.
Early Dolls 1
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This early china boy looks like he just walked off the canvas of a classical painting of the 1830’s in his antique suit of rich, royal blue silk. The belt with metal buckle, cuffed sleeves and the length of his trousers all have the same metallic ribbon trim and his plaid cravat adds a youthful panache. Note the brushed hair strokes on to his forehead, his painted brown eyes and other fine features of his facial decoration. His original arms are of dark leather, his body of cloth, with his fingers barely showing and his lower legs are of striped fabric to simulate stockings, under his sewn in, blue leather boots. He brings to mind a similarity to the early KPM chinas we love.
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Very seldom in our collecting journey do we get to hold one of these artistic masterpieces in our hands, especially with the doll in such natural condition. From the German city of Oberammergau, where once every decade the tradition of the “Passion Play” takes place, she steps off the page of an art history book and provides us with a three-dimensional study.
She has exquisitely carved facial features and dramatic profile with a pale painted complexion that continues on her shoulders and to the collar line of her chest. Her lower arms and gracefully posed carved hands are of the same color as are her lower legs, with the cadmium red painted, carved slippers at her feet. On the back of her flared, carved hips is the mark of her maker, done in 1807.
The body is fully jointed and is worthy of constant display, however she does have an antique, long-sleeved, fine cotton garment that can serve as a floor-length slip, underneath her chiffon gown and shawl of antique fabrics and trims. Her brunette, tousled human hair wig is soft and romantic, and she wears a subtle string of pearly beads.
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China dolls from the Biedermeier period of the first half of the 1800’s have adopted that name, and they are know for their bald heads, sometimes with the crown painted black. Over this they wear a styled wig, often of fine human hair, reflecting many of the Apollo knot hairdo’s of the 1830’s and other pulled back varieties of the time. This girl, so wonderfully named “Siobahn”, an old Irish name, by her owner, wears an earthy wool outfit of the British Isles with greens and plaids and multiple layers of warm undergarments to protect her from the chilly weather of the North.
. There is expected wear to parts of her outfit, where fabric has suffered a puncture or some trim has worn through or come loose. Her facial painting is nicely detailed with finely formed lips and red eyelid accents over her deep blue eyes. Her cheeks have a healthy blush and her brunette human hair, original wig is in a pulled back bun of the 1840’s. She has her original cloth body with china forearms and hands, and she wears antique high top leather boots.
In humble, original condition and attire, we have an early wooden doll from Grodnertal that is part of the regional history of Germany, Austria, and Northern Italy, circa 1820. She has the early egg-shaped carved head and a yellow painted carved hair ornament, or tuck comb, with her whole body being of carved wood and jointed at the shoulders, elbows, hips, and knees. Her black hair has swirling brushstrokes that mimic curls at her forehead, and her carved feet have painted cadmium red shoes. The multilayers of dark and light fine cottons and undergarments that make up her original costume are in very good condition—even her little humble fabric purse!
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Endearing in this small size (10″), we have a diminutive French paper mâché doll with the “Pauline” face. She features painted details, including clear blue eyes and black painted hair, onto which a tiny original brunette human hair braid is attached. Her head and shoulders are of light-complexioned, painted paper mâché, and her entire body is made of kid leather.
Never having been undressed, we can assume her body remains in excellent condition—just as good, if not better, than the exposed parts that have aged over time. Her costume originates from a region of France similar to Alsace and is completely original, including the tiny leather slippers on her feet. Only the bonnet appears to have been added later, and she can be displayed with or without it. Without the bonnet, you can truly appreciate what a beautiful example she is. Her cotton shawl shows some wear.
Named “Bess” by her most recent owner, we have a quite impressive early 1850’s china with rare, brown glass eyes, incredible molding of facial features like eyelids and a fine nose and lips, and intricately molded, short black curls hugging her head. Her china shoulder head and arms are eggshell white with robustly rouged cheeks.
What a fun couple of Grodnertal girls we have from a collection in Provence, in their original, complementary country attire. They are each approximately 8” tall, all of carved wood, and are jointed at the shoulders, elbows, hips, and knees, with tiny carved feet that are their painted slippers.
Her original, stuffed cloth body has lower cloth legs that are actually her red stockings with calf-high black leather boots as feet. Sitting or standing, she is a fine painting in 3-D, wearing her royal blue and white plaid silk dress, which has many areas of weakness, but left alone, has and will stand the test of displaying time. Layers of white cotton undergarments hide under the skirt, and a period, white cotton and lace bonnet is securely tied under her chin.
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The shape of their heads places them around 1825, with their black painted hair and eyes, prim red lips, and healthy rouged cheeks. Both of their ensembles are of antique printed cottons, with the skirts actually being quilted, giving them an added crispness. While they love each other’s company, they are not opposed to being separated and sold apart. They are priced separately; however, there will be a discount if they are purchased as a pair. The windmill shown as a prop has sold on the Miscellaneous Page of this site.
Here stands a circa 1870 china shoulder head girl who has lots of work to do! The biggest clue is that she is personally hauling a multi-piece collection of wooden home and kitchen tools, strapped to her back. Her owner named this industrious girl “Heather”.
What a fun couple of Grodnertal girls we have from a collection in Provence, in their original, complementary country attire. They are each approximately 8” tall, all of carved wood, and are jointed at the shoulders, elbows, hips, and knees, with tiny carved feet that are their painted slippers.
Mounted on the original wood frame that is secured around her waist are seven different, useful pieces including three round, wooden and metal sieves, a bucket, some type of grater, a bowl, a spoon, and some coiled, flat wood. She wears her original cotton farm attire that includes a tan colored pinafore with button detail and original cotton undergarments. Her body is of cloth, with arms of carved wood, and lower legs that are carved wood boots painted blue with white button dots.
The shape of their heads places them around 1825, with their black painted hair and eyes, prim red lips, and healthy rouged cheeks. Both of their ensembles are of antique printed cottons, with the skirts actually being quilted, giving them an added crispness. While they love each other’s company, they are not opposed to being separated and sold apart. They are priced separately; however, there will be a discount if they are purchased as a pair. The windmill shown as a prop has sold on the Miscellaneous Page of this site.
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Wearing what are his original religious Medieval monk robes, we have a 16″ Beidermeier china man with white china head and shoulder plate, solid dome head with painted black, center-parted hair, and finely painted features. His body is of antique stuffed cloth, looks original, and the arms are of leather with separate fingers. His footwear consists of antique, knitted stockings that act like fabric boots!
His long, white scapular rests front and back, over his black/brown wool tunic, and over that a dark wool long apron with a red, intricately embroidered Crucifix on the chest. He wears a long rope or “cinture” around the waist, along with an antique black rosary.
Her one-piece head and shoulder plate are wooden, while her body is stuffed cloth. The lower arms and hands are made of simple, narrow pieces of wood, subtly suggesting fingers. The original painted surface of her face shows slight rubbing on the forehead, minuscule paint crazing, and a tiny lift on the cheekbone. Her clothing is entirely original—rural in style, made of multiple tiny prints and dots—with leather boots (one missing its sole and hanging on for history’s sake).
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In the early 1870’s, there was a circle of companies who produced these detailed, sturdy and unique jointed dolls, starting with Joel Ellis, who was known first for his carriages, Henry Mason, and Luke Taylor, to name the ones that are best known. This example has the distinct details of what is called the Mason Taylor doll, made of carved and finely articulated maple wood, with lower arms and legs, hands and feet of heavy metal such as pewter. Extraordinary on this doll is the condition of her painted surfaces, namely the swivel head, shoulders and lower limbs, as usually the paint has either worn off or has been “played” off by children enjoying the great versatility of this sturdy subject.
She retains her sky blue painted eyes, richly carved curls, painted blond with some surface wear, a clean, smooth complexion, cream painted hands and stockings, with that sky vlue repeating on her metal boots. The makers promoted the advantage of not having to dress this articulated doll, however that didn’t stop an enthusiastic mother or child to make a full cotton outfit, including a two-piece plaid cotton dress, a complimentary apron and cotton undergarments. All look to be made during her early era and a so charming on her. To find one in this condition is exciting!
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Having first been a part of Austria, then called South Tyrol before World War I, the Grodnertal region near Germany was home to the production of these fascinating wooden dolls. Adding to the warm, inviting charm of these dainty works of art, some were dressed to represent local peddlers of assorted wares, carrying baskets of necessities and delights to be purchased on the street. This particular 12 ½” Grodnertal is an early one, identified by her egg-shaped carved head and the painted hair detail on her forehead. See the extended painted shadows and strokes that represent wisps of hair and curls below. She has painted blue eyes with human detail, prim red upturned lips, and gently rouged cheeks. Her head and torso are one piece, while the limbs are jointed at the shoulders, elbows, hips, and knees.
Her feet are carved as her orange painted little slippers. Look at the impressive costume she wears, which consists of a bold black-and-white striped skirt, a tiny brown print long-sleeved blouse, a white cotton shawl, and long white lace-trimmed pantaloons—kept warm by her bright red hooded wool cape that can rest over her straw, silk-covered bonnet. Now let’s see what she has to sell in her original straw basket of wares… You can spot knitting yarn, scissors on a presentation card, as well as a knife and fork on their card, socks, needles and a needle container, household tools, a dangling glass bottle, a folding pocket knife, a pair of mittens, and some sewing trim on a card—and it goes on, the more you look!
Her feet are carved as her orange painted little slippers. Look at the impressive costume she wears, which consists of a bold black-and-white striped skirt, a tiny brown print long-sleeved blouse, a white cotton shawl, and long white lace-trimmed pantaloons—kept warm by her bright red hooded wool cape that can rest over her straw, silk-covered bonnet. Now let’s see what she has to sell in her original straw basket of wares… You can spot knitting yarn, scissors on a presentation card, as well as a knife and fork on their card, socks, needles and a needle container, household tools, a dangling glass bottle, a folding pocket knife, a pair of mittens, and some sewing trim on a card—and it goes on, the more you look!
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Along with representing a child, this late George III English wooden (20″) has that special something that only the esoteric changes of time and the natural combination of presentation details can provide. Carved by a woodworker at the very end of the eighteenth century, she has the simpler details of features typical of the examples from that time, but her simpatica personality makes her stand out and almost come to life. She has the darkest brown enamel eyes, one-stroke brows, a long pronounced nose, demure smiling painted red lips, a rosy complexion, and rouged cheeks that together give her an endearing energy.
Along with representing a child, this late George III English wooden (20″) has that special something that only the esoteric changes of time and the natural combination of presentation details can provide. Carved by a woodworker at the very end of the eighteenth century, she has the simpler details of features typical of the examples from that time, but her simpatica personality makes her stand out and almost come to life. She has the darkest brown enamel eyes, one-stroke brows, a long pronounced nose, demure smiling painted red lips, a rosy complexion, and rouged cheeks that together give her an endearing energy.
Her brunette human hair curls are secured to the top of her head, and the unrestored surface of her face shows the tracks of play and adoration starting 225 years ago—acceptable and not distracting for a true lover of antique woodens. Her rounded head and simply carved torso are one piece, as are her carved wooden legs, which are only jointed at the hips. Her arms are of original kid leather, both of which have had a patch added at the elbows later on. Her feet are crudely carved, then tinted in a cadmium red paint, with the left one having the front tip chipped off (hidden in the shoe).
Her brunette human hair curls are secured to the top of her head, and the unrestored surface of her face shows the tracks of play and adoration starting 225 years ago—acceptable and not distracting for a true lover of antique woodens. Her rounded head and simply carved torso are one piece, as are her carved wooden legs, which are only jointed at the hips. Her arms are of original kid leather, both of which have had a patch added at the elbows later on. Her feet are crudely carved, then tinted in a cadmium red paint, with the left one having the front tip chipped off (hidden in the shoe).
Now to her original clothing, which consists of a pre-Regency long gown of diaphanous fabric, having the new linear silhouette that drew from the fashions of ancient Greece. She remarkably retains the matching cap in the same fabric, with the same silk ribbon pleated trim as the bodice of the dress—not to mention the adorable silk slippers with a bit of metallic trim. The pillow with the embroidered “B” has been given to her; however, the chair is not for sale and is just a prop.
Now to her original clothing, which consists of a pre-Regency long gown of diaphanous fabric, having the new linear silhouette that drew from the fashions of ancient Greece. She remarkably retains the matching cap in the same fabric, with the same silk ribbon pleated trim as the bodice of the dress—not to mention the adorable silk slippers with a bit of metallic trim. The pillow with the embroidered “B” has been given to her; however, the chair is not for sale and is just a prop.
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In humble, original condition and attire, we have an early wooden doll from Grodnertal that is part of the regional history of Germany, Austria, and Northern Italy, circa 1820. She has the early egg-shaped carved head and a yellow painted carved hair ornament, or tuck comb, with her whole body being of carved wood and jointed at the shoulders, elbows, hips, and knees. Her black hair has swirling brushstrokes that mimic curls at her forehead, and her carved feet have painted cadmium red shoes. The multilayers of dark and light fine cottons and undergarments that make up her original costume are in very good condition—even her little humble fabric purse!
A bit of French military nostalgia comes to life here with this endearing wartime “water boy” (12 ¾”) wearing the original uniform he would have worn on the battlegrounds, bringing water to the troops. He even carries his wooden barrel canteen hanging from a leather strap. The whole outfit is original, including the wooden clogs and the fabric pointed cap he wears. He is an early German China, circa 1845–1850, with a short hairdo, exposed ears, and rare wisps of side hair painted on his temples—probably depicting the time of the Franco-Moroccan War of the 1840s.
A bit of French military nostalgia comes to life here with this endearing wartime “water boy” (12 ¾”) wearing the original uniform he would have worn on the battlegrounds, bringing water to the troops. He even carries his wooden barrel canteen hanging from a leather strap. The whole outfit is original, including the wooden clogs and the fabric pointed cap he wears. He is an early German China, circa 1845–1850, with a short hairdo, exposed ears, and rare wisps of side hair painted on his temples—probably depicting the time of the Franco-Moroccan War of the 1840s.
His original body is of cloth, while his arms are leather with stitched fingers. Over his simple red cotton trousers is a quite elaborate long military wool jacket in navy blue, with boldly placed rows of gold metal buttons, additional red cord trim, white cotton underclothing, and an apron as well. I recently sold a smaller French China water girl in a very similar outfit, also purchased in Paris!
More Early Dolls go to page 2
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