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After the First World War, the positive changes in music and fashion were evident. Linear, more comfortable clothing and an upbeat sound became popular. Perhaps that is why we are always so delighted to find another flapper doll. This 14 ½” version is by Cuno and Otto Dressel (C.O.D.) and is almost a perfect twin to the Simon Halbig 1468 version, but this girl is incised with the COD 1469 mark.

Amazingly, she still has her original cream leather heeled pumps, sheer stockings, and a long pearl beaded necklace. Her undergarments include a one-piece cotton teddy and a matching cotton half-slip. She is displayed on a 1900s-era rattan sofa, available separately, and her furry canine companions can also be purchased separately upon request.

For those looking for an unusual hairstyle, this blond parian shoulder head lady offers a multi-faceted example. She sports a rear chignon that folds upward to a braided bun on top.  From there falls a full cascade of curly bangs that continue down on each side of her temples.  Her ears are pierced, she has blue painted eyes and light blushing to her cheeks.

Her body is antique, of old cloth and the lower arms and legs of parian bisque with the feet being molded black boots.  A vey well presented doll she is, as her aqua, light wool, one piece dress has appealing trim of darker velvet on her collar and cuffs. The colore detail is continued with two rows of blue fabric covered buttons down the entire front.  Undergarments are all antique and this girl has that all original feel!

 

Kammer and Reinhardt 101 “Marie” with a lovely presence in her painted brown eyes, character molding, beautifully formed closed mouth, smoothest bisque and meticulous decoration of features.  She wears her original, blond mohair wig with braided side buns, and she has a quality, K*R fully jointed body with original finish with an appealing, slightly pink, K*R paint tone.  She wears an old vintage, red print dress, under a white, ruffled  pinafore, and has multi-layer, cotton undergarments, plus red vintage shoes and woven socks.  

The K*R 117/A “Mein Liebling” remains a favorite among collectors for its sweet character and refined features. While other versions exist—painted eyes or the 117/N with flirty eyes and an open mouth—this example features brown glass sleep eyes and a closed mouth, paired with pale, smooth bisque and her antique blond mohair wig (minor wig pulls on top left side at the rim).

She wears an antique navy silk mariner’s costume with matching cap, cotton undergarments, and cream leather shoes. Her fully jointed German composition body with jointed wrists is in beautiful original condition. The Heinrich Handwerck red mark is visible on her upper right back hip. Her statuesque size and costume give her a majestic presence.

She wears an antique navy silk mariner’s costume with matching cap, cotton undergarments, and cream leather shoes. Her fully jointed German composition body with jointed wrists is in beautiful original condition. The Heinrich Handwerck red mark is visible on her upper right back hip. Her statuesque size and costume give her a majestic presence. 

The strong molding of this Simon Halbig 949 earlier mold is complemented by its smooth, pale bisque and even color decoration. She has brown glass-set eyes, a closed mouth, chubby cheeks, pierced ears, and a vintage, French honey-brown human hair wig. Her high-quality, early German composition body is chunky, in the French manner, and has straight wrists.

The strong molding of this Simon Halbig 949 earlier mold is complemented by its smooth, pale bisque and even color decoration. She has brown glass-set eyes, a closed mouth, chubby cheeks, pierced ears, and a vintage, French honey-brown human hair wig. Her high-quality, early German composition body is chunky, in the French manner, and has straight wrists.

On the upper right arm, there is a minor split and some paint loss on the wood. Dressed in an expertly made, vintage material dress with a matching, fancy bonnet, she has vintage undergarments, socks, and antique leather shoes. Fine, French market doll in a darling size!

On the upper right arm, there is a minor split and some paint loss on the wood. Dressed in an expertly made, vintage material dress with a matching, fancy bonnet, she has vintage undergarments, socks, and antique leather shoes. Fine, French market doll in a darling size!

When German doll companies flirted with the French doll market, beautiful things happened, such as this glorious 13″ Alt Beck and Gottschalk child with huge, almond-shaped, brown paperweight eyes, open-closed full lips, egg-white pale bisque, a full, enfantine face shape and body silhouette, pale decoration of features, and pierced ears. Her blond mohair wig is a replacement. Her bisque head and shoulder plate are one piece, and her high-quality leather body, having the initials “a s” on the chest, is firm and full as if she were meant to be a young debutant or fashion child. Very Bru-like with the low, curved seam on the lower body and pronounced gusseting of the hips! Her lower arms and hands are delicately posed in bisque, and her gusseted jointing throughout reminds us also of a child’s fashion from French manufacturers.

The genuine fit and proportion of her cotton dress with lace panels, in addition to her well-made and fitted, matching-trimmed undergarments, strongly suggest that this outfit is indeed original. Even her camel-colored leather shoes with double straps are nearly as pristine as the day they were made, with her matching socks still stitched to her legs. The lime green silk bonnet was added, but everything else, including the antique socks and shoes, was hers when she came to us from an old collection. She stands apart from the crowd, inspiring study and appreciation.

Made by Max Handwerck, the “Elite” marked, two-faced, bisque head googly is said to have been designed by William Goebel, circa 1915. That classic, precocious googly face has side-glancing, rounded blue glass eyes, a watermelon mouth, a round face, and healthy shading…on both faces! What differentiates them is the molded hat and hair featured on the two sides.

One face features a red molded bisque hat with the Turkish insignia decoration on the front, and molded, short black hair peaking out from the sides. The reverse face features a gray molded bisque cap that represents Austria, along with short, molded blond hair on the sides. From both sides, you can see the molded and shaded ears shared by the two faces. The body is a fully jointed, German composition body that is stamped with the red ink, Holzmasse mark, on the upper right rear shoulder.

Quite clever is the original. A reversible, wool flannel jacket that can be utilized to match either hat, just by removing, turning it inside out, and replacing it. There are gold-toned buttons that are cleverly inserted to accommodate both sides. Either jacket side is completed by the snug black linen trousers. Black shoes and socks are vintage.

Being one of the most beloved Heubach characters, the Coquette mold 7850 can cheer up any collection with her side-glancing, cheerful face and smile. Her head is made of molded bisque and features either a pink or blue ribbon painted around the head, then finished on the side with a large, molded bow. This girl has the blue bow that adorns her blond, molded curls, and she has a wide smile with molded teeth peeking out from between her lips. Her body is made of fully jointed wood and composition, with straight wrists. She wears an antique, white eyelet dress with a turquoise ribbon sash, matching her hair bow. The color is continued with her vintage, leatherette turquoise shoes.

Being one of the most beloved Heubach characters, the Coquette mold 7850 can cheer up any collection with her side-glancing, cheerful face and smile. Her head is made of molded bisque and features either a pink or blue ribbon painted around the head, then finished on the side with a large, molded bow. This girl has the blue bow that adorns her blond, molded curls, and she has a wide smile with molded teeth peeking out from between her lips. Her body is made of fully jointed wood and composition, with straight wrists. She wears an antique, white eyelet dress with a turquoise ribbon sash, matching her hair bow. The color is continued with her vintage, leatherette turquoise shoes.

The Kestner Gibson Girl represented a shift in women’s roles in society, which can be easily seen by her upturned, confident look and stance. It was the early 1900s, and in addition to the importance of being able to vote in elections, a woman could wear fashion that didn’t painfully cinch in the waist or crowd the elevator with a cumbersome bustle. The celebration of this new attitude was captured by the Kestner firm by this bisque mold, the 172, with her brown glass sleep eyes, original blond mohair Gibson styled wig, pensive brows, elongated, slim nose, pursed lips, and raised chin on a finely molded shoulder plate.

The Kestner Gibson Girl represented a shift in women’s roles in society, which can be easily seen by her upturned, confident look and stance. It was the early 1900s, and in addition to the importance of being able to vote in elections, a woman could wear fashion that didn’t painfully cinch in the waist or crowd the elevator with a cumbersome bustle. The celebration of this new attitude was captured by the Kestner firm by this bisque mold, the 172, with her brown glass sleep eyes, original blond mohair Gibson styled wig, pensive brows, elongated, slim nose, pursed lips, and raised chin on a finely molded shoulder plate.

Additionally, her lower arms are bisque and femininely posed, with one hand featuring a restoration to the index finger, and the other hand having a repaired thumb. The high-quality, stuffed leather body has the fine Kestner engineering with riveted joints and ease of articulation. She wears a seaside costume made of vintage fabrics, consisting of capri-type pants and a front-button jacket top with short sleeves, accompanied by a sash around the waist. In addition, she has a white cotton swimming cap to keep her hair dry in the morning surf and a hooded beach cape to wear after swimming. So darling are her Summertime espadrilles to wear on the sand and onto the boardwalk, and a basket of real seashells to show off to her lunchtime friends.

Additionally, her lower arms are bisque and femininely posed, with one hand featuring a restoration to the index finger, and the other hand having a repaired thumb. The high-quality, stuffed leather body has the fine Kestner engineering with riveted joints and ease of articulation. She wears a seaside costume made of vintage fabrics, consisting of capri-type pants and a front-button jacket top with short sleeves, accompanied by a sash around the waist. In addition, she has a white cotton swimming cap to keep her hair dry in the morning surf and a hooded beach cape to wear after swimming. So darling are her Summertime espadrilles to wear on the sand and onto the boardwalk, and a basket of real seashells to show off to her lunchtime friends.